“Isle of Dogs” creates an assemblage of cultural allusions and references that would resonate not only with Japan culture nerds in America but with a nostalgic generation of Japanese adults.
Steven Spielberg’s latest doesn’t stand strong enough without its references to engage most audience members.
I hope you got the letter about “Bright” I sent last month, but after watching “The Cloverfield Paradox,” I’m not quite sure you did.
“Call Me by Your Name,” a 132-minute, single-thread romantic drama between two young men in Northern Italy, from director Luca Guadagnino (“I Am Love,” “A Bigger Splash”), may be the most gorgeous and heartfelt movie of 2017.
No matter how hard I try to shut it out, the Academy keeps coming back into my life.
As a tie-in with its latest feature-length film, Netflix released a promotional “Bright”-themed video fireplace. What an accurate depiction of this movie: an oil drum full of burning refuse.
So much happens in “The Last Jedi” that it becomes difficult to remember exactly what the main conflict should be.
"Rightly to be great / Is not to stir without great argument, / But greatly to find quarrel in a straw / When honour's at the stake.” - William Shakespeare, Hamlet, Act IV, Scene 4
Kenneth Branagh’s new adaptation of “Murder on the Orient Express” is okay. In other words, it’s fine. It’s passable.
Can I ask you something, dear reader? Do you think the concept of the Incredible Hulk sitting in a hot tub is truly hilarious?
