Maybe she just loved herself too much. Maybe she was just not brave enough. Maybe she was afraid to find out that no relationship could ever live up to her expectations, not even her parents’.
Gritty, naughty and yet all the more ravishing, the “World of Wong Kar Wai” is just way too beautiful of a nightmare to wake up from.
My sophomore year, I had an existential crisis. Instead of going to CAPS, I chose to pester my poor friends with the soul-searching, philosophically cliché but perpetual question of humanity: “What is the purpose of your life?”
In light of the COVID-19 pandemic, many students are scrambling to find new summer plans after their original arrangements were canceled. To help students in this struggle, Duke has expanded its normal catalogue of summer classes.
The Nasher Museum will soon welcome its new director Trevor Schoonmaker, the current deputy director of curatorial affairs and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.
In many ways, Wong Kar-wai’s “In the Mood for Love” is the first real movie I’ve ever watched.
The question caught me off guard.
Yep, I went to see “Avengers: Endgame,” despite my feigned disdain whenever my friends — some of them film-school movie buffs, like me — express their love for Marvel movies.
“Welcome to beautiful downtown Mossville. Population: one.”
Drone shots. Even with dried-out lakes and stagnant rivers that weakly glisten in the greedy sun, South Africa’s landscape is still beautiful with its rocky mountains and plateaus with swirling patterns.
'Bedlam' director Ken Rosenberg and Black Lives Matter co-founder Patrisse Cullors at the 2019 Sundance Film Festival.
