Freddy Gets the Finger
By Dan Mallory | April 30, 2001When I was nine years old, I slammed the keyboard cover of my grandfather's Steinway onto my exposed penis.
When I was nine years old, I slammed the keyboard cover of my grandfather's Steinway onto my exposed penis.
Trying, for utter lack of anything better to do, to codify Monkeybone as an equation, I deduce a fearsome formula including such variables as Cool World, Beetlejuice, Jumanji and Jim Carrey's...
"Now, that was when people knew how to be in love," Meg Ryan sighs in Sleepless In Seattle, referencing 1957's saccharine Cary Grant tearjerker An Affair to Remember (itself a remake of 1939's even...
The many insurmountable problems of Hannibal begin with its title: Hannibal Lecter is more interesting as a threat than a reality.
"It's like Lawrence of Arabia meets The Matrix," my friend effused as we left Crouching Tiger, Hidden Dragon, Ang Lee's astonishing new martial arts fantasia.
Shadow of the Vampire, a handsomely mounted, mordantly comic, impeccably acted period thriller, reimagines the filming of F. W.
Brixton, Georgia, is a land of languid drawls and ragged willow trees, of pillared mansions that border gardens of good and evil, and of clapboard houses flanked by sagging screen porches.
Antitrust is almost as exciting a title as Trade Commission! or Collusive Oligopolies or Tort: The Movie, though not without its irony, since the film itself is sort of cinematic antimatter.
Sammy (Laura Linney) shuttles between clerical work at the local bank and her tidy childhood home in upstate New York, where she now raises her own son.
Quills is a heaving bosom of a movie, as sensuous, breathless and salaciously giddy as the nubile French virgins who parade through the dank halls of Charenton, the Gothic mental asylum wherein...