RECESS
Locopops: A Taste Test
By Drew Haskins | April 2, 2015The assembled panel sampled Locopops flavors for the month of March and would like to present our findings.
The assembled panel sampled Locopops flavors for the month of March and would like to present our findings.
Lemon yogurt. A video store. We’re all gonna die.
When acts of escalated hatred and violence are made visible—when a noose is hung on a tree—people react.
Stromae focuses on issues closely related to his childhood, such as abandonment, racism and disenfranchisement.
In the current world of YA-novels-turned-films, you cannot go without comparison to Harry Potter, and Divergent is no Harry Potter.
The album is the beginning of a conversation, not the end of one.
At age 29, Jesso is a late bloomer for today’s music industry, yet it is his maturity that brings his music the gravitas and emotional intelligence that makes it so powerful.
Listening to the album, one gets the sense that she might be singing her twitter feed aloud.
Unbreakable has all the smiles of Family Matters with the dark, sardonic characteristic of Fey's work.
It’s important to empathize with others, but I think too often pieces of art are regarded as quality only because they offer a window into a different lifestyle.
Today, his works are a sort of time capsule, allowing viewers to partially experience what life was like back then.
Unfortunately, this season of House of Cards did not live up to my highly ambitious expectations.
Strangers to Ourselves sounds like an album created by people who dislike to hear their own praises.
While Blade of the Ronin is disappointing in many aspects, it still overall is an entertaining and worthwhile listen.
Art should be a collaboration, not a competition.
It’s the high stakes nature of this escape from real life to reel life that we all love dearly, and that’s probably why so many absurd and almost primitive factors play a decisive role in...
"It was always my hope that the questions the book raises would feel useful to people as they resonated in the particular corners of their lives, or their disciplines––but part of the book is also...
Harris’s performance felt lackluster, unoriginal and, at times, offensive. And, no, not in the Ricky Gervais, "he’s British, so it’s okay," kind of way.
For as much as we love celebrities who we want to be like, we would do a great service to ourselves if we appreciate the celebrities who are already just like us.
The beauty in this album is found in the more vulnerable moments.