Deerhunter is bubbling restraint. Their music bristles and reverberates, threatening in equal parts to either explode into tsunami static or fade out completely.
Jonathan Demme succeeds in adding something new to the dysfunctional-family-drama genre with Rachel Getting Married.
Clint Eastwood is old. He is so old that he remembers exactly what Los Angeles looked like during the 1920s.
Sweeney Todd: The Demon Barber of Fleet Street doesn't start with a bang. Instead, a high-pitched, piercing screech immediately sets the dark tone of the musical.
"People always ask me, 'Where do you record?'" Posner said. "And people can't believe when I say, 'In my room.'
If imitation is the sincerest form of flattery, then Saturday's annual Monsters of Mock festival at the Lincoln Theatre was a symphony of sycophancy to the most memorable rock groups of the '70s,...
George W. Bush's presidency is one of polarization, partisanship and finger-pointing.
When Carl Kurlander came to Duke, he hoped to be a doctor just like all of his mother's husbands. Seventeen majors later, he was a Hollywood-bound history major.
Where the second volume paled in comparison to the first, High School Musical 3: Senior Year rises to the challenge, becoming one of 2008's finest releases.
Since the 1970s, Karamu Drama Group has aimed to broaden cultural perspective on campus through producing works by minority, especially black, playwrights.
Duke is a factory for a lot of things. Boisterous liberals. Closet conservatives. And, until recently, successful investment bankers.
And so with Tell Tale Signs, the latest and perhaps oddest volume in his ongoing Bootleg Series, the fourth (fifth? sixth?) golden era of Bob Dylan continues.
"I do see myself like a jazz musician. My approach to this style of dance, which is called hoofing-it's just the same as a jazz musician would approach a song or an improvisational experience,"
You could call Skeletal Lamping a celebration of the pop canon, except that Kevin Barnes, Of Montreal's frontman, has tried specifically to eschew the conventions of traditional pop music in his...
