Dec. 12, 2009 marks the fifth anniversary of a pop culture milestone. On that day in 2004, Stringer Bell of The Wire was brutally murdered by the odd alliance of Omar Little and Brother Mouzone.
Labour Love Gallery’s exhibition Naturally Selected thoughtfully pieces together a collection of artists who seem to share the owners’ affinity for the tender.
Bitte Orca proclaims that Dirty Projectors don’t need a unifying, rebellious aesthetic to blow the lid off of modern music.
Jack Wilkinson investigates the phenomenon "look at this niche of people or things which provide endless material for one-liners" while sitting in the honors thesis room.
The majority of the album is fast-paced and intense, and this is where Florence shines
Brooke Hartley signs off from abroad, focusing on the lessons she's learned there and about here.
Back at the start of the research that led to The Jazz Loft Project, “13 years later” was not a part of the plan. Sam Stephenson didn’t know—couldn’t have known—that his investigation into the...
Film editor Charlie McSpadden offers some of his favorite films of 2009 not called Precious.
The most powerful film of the year, Precious left me physically shaking and speechless, but forever inspired. It was unlike any movie-going experience I have ever had.
The duo is playfully aware of genre shtick and the chances that they’d be incorrectly labeled “proto”-something or other—instead, they’re delightfully “Post-Nothing.”
As contemporary culture reappropriates the once-slandered ’80s, La Roux’s debut is an unashamed announcement of her and its arrival.
Twenty-six undergraduate and graduate students will have their pieces displayed in the Louis Jones Brown Gallery, located in the Bryan Center.
At the Dec. 9 orchestral performance at Reynolds Industries Theater, ushers will hand out crayons and sing-a-longs will commence, and the audience will be encouraged to keep their phones on to...
Nothing since Arcade Fire’s Funeral has been as thematically engaging, but even that feels impersonal and unfocused by comparison.
As founder and president of School House, an ethical brand of collegiate apparel, Duke alum Rachel Weeks, Trinity ’07, is finally seeing her two passions blend seamlessly.
As Mr. Fox continually informs us throughout the film, it’s the wild animals that make this life fantastic.