Press your ear to the pavement above the London underground and you might just hear, rumbling distantly below, the ghostly sounds of Burial.
There are tremendous titular possibilities for a sci-fi film on the kudzu vine.
Full Frame Documentary Film Festival presented by the Center for Documentary Studies, will screen a selection of international documentary films in Durham and Chapel Hill from April 14-17.
Sometime during their year-long hiatus, it seems, TV on the Radio reached middle age.
The momentum of critical consensus has given Animal Collective and its associated projects a pretty long leash, due in large part to their reputation as something more than the typical hipster-set...
Two women in mini-dresses and stilettos engage in a hair-pulling, nail-scratching fight to the death.
“You think about sex like a man.” My male friend assures me that this is the reason for my column’s popularity, perhaps its very existence.
A production of Aida is a daunting endeavor, where success or failure hinges purely on the music. Luckily, the music in Hoof ‘n’ Horn’s new production is stellar.
This evening, Duke Theater Studies will debut its spring production, The Laramie Project.
Edward Gomez, award-winning art critic, Fulbright Fellow and former A.B. Duke Scholar, will give a lecture entitled “Nostalgia for the Future,” adapted from his upcoming book, Big Soul: Meditations...
This weekend, more than 200 local artists will participate in a cultural event that is quintessentially Durham.
Coming off his critically acclaimed debut feature-film Moon, Duncan Jones thrust himself into the cinematic landscape as one of the new brilliant directorial minds in the science fiction genre.
The Pains of Being Pure at Heart’s self-titled 2009 debut was without reservation an artifact of the ’90s, and drew comparisons to any number of that decade’s indie touchstones.
Blood Pressures, the Kills’ fourth studio album, could be described as the culmination of lead singer Alison Mosshart’s musical endeavors from the past few years.
At what point will a school’s acceptance rate drop to zero?
If John Darnielle’s not going to make you dance, he’ll at least make you think.
For a film based on Alan Glynn’s novel The Dark Fields, about a pill, unlimited brilliance and the nature of the human mind, one might expect Limitless to be similarly ingenious.
