RECESS
Editor's Note
By Ross Green | January 30, 2012The nominations for the 2012 Academy Awards were announced on Tuesday. As always, there were more than a few puzzling inclusions and exclusions.
The nominations for the 2012 Academy Awards were announced on Tuesday. As always, there were more than a few puzzling inclusions and exclusions.
Old men are the best dancers. Contra dancers, I mean.
I’m tempted to forego a review of Red Tails and just publish the screenplay.
Cloud Nothings storm back on their third LP Attack on Memory with a renewed sound and musical swagger that belies lead member Dylan Baldi’s sole 20 years of existence.
The nominations for the 2012 Academy Awards were announced on Tuesday.
The snow lays thick on the roadside by a small diner in upstate New York.
On Feb. 1, the Duke Coffeehouse welcomes Brooklyn black metal band Liturgy for a performance that may well cause James Buchanan Duke to roll in his grave.
Saxapahaw—emphasis on the first syllable—is one of those towns with an apparently comprehensive single website.
Recess interviews Emmy-nominated choreographer Jeffrey Page about his work.
Judging by yesterday’s overwhelming anti-SOPA/PIPA sentiment, it doesn’t appear as though many consumers much care about preserving the record label or big-budget studio, which is reason enough in...
An LMFAO song called “Party Rock Anthem” is currently number nine on the Billboard Top 100.
Tinker Tailor Soldier Spy, a film based off the John le Carré novel of the same title, takes its audience back to time and form of the classic spy tale.
Matthew Dear is often too versatile for his own good.
Best known for their triumphant 2009 single “Dominos,” the Big Pink return with their second LP, Future This.
Academia can often treat poetry like an obligatory scavenger hunt.
Have you ever had the urge to sit outside in the rain at night and take pictures of your mother’s patio furniture?
The Iron Lady has two monumental shining qualities.
At most dance performances, a loud, emphatic “Olé!” from the audience is not usually condoned, but Carlota Santana, Artistic Director of Flamenco Vivo, actually encourages it.
It’s a reverse of the old cliché about art mirroring life.