RECESS
Recess Interviews: Nathan Johnson
By Ted Phillips | September 27, 2012Recess interviews Nathan Johnson, composer of the soundtrack for Looper, the new time-traveling sci-fi film.
Recess interviews Nathan Johnson, composer of the soundtrack for Looper, the new time-traveling sci-fi film.
The album doesn’t quite live up to the revolution its namesake inspired.
PlayMakers’ Red exudes a “blood-soaked-Ferrari-sunrise” passion that is well worth the Robertson bus.
It’s only after leaving the museum that Girl Talk comes alive
The curmudgeon routine, with Eastwood fumbling around his home, knocking over and subsequently breaking tables, tires so quickly that by the time you learn that he’s desperately in need of Flomax...
End of Watch provides more than just high-tempo action sequences: it creates authentic emotional connections.
I hate to be a slave to traditional structure, but I think if YOKOKIMTHURSTON lent itself to some melodies, they could have created something fantastic.
Much of Price’s speech still resonates with today’s Duke.
While The Master is not the easiest film to view or process, its nuanced performances and flawless craftsmanship will surely have us talking about it come Oscar season.
With the right mood and some patience, you can be truly moved.
Just because classical music concerts don’t involve your typical Main Quad bacchanalia does not mean they aren’t worth going to.
From September 17-27, Durham’s own Carolina Theatre will be hosting its ninth annual Escapism Film Festival.
La Tavola, an Italian Language activity group, sponsors film showings on campus every semester.
Whereas Veckatimest was bold, grand and majestic, Shields is too complacent.
It seems like the members of Dinosaur Jr. have finally learned what most second-graders master—how to get along with each other.
It’s not often that a university can bring in an established group like The Bad Plus to work with its graduate students.
Recess Arts Editor Katie Zaborsky speaks with Diaz about his evolving view on love, inspirational movies, and MIT.
If Kanye had ever been interested in art for art’s sake, he’s not now.
Arbitrage is like one hundred minutes of nightmarish unease.
Sleepwalk with Me forces us to ask, “Is this really the life I want?”