RECESS
Film Review: Wuthering Heights
By Megan Rise | November 1, 2012Over two hours of bleak moors and longing looks, and not much else.
Over two hours of bleak moors and longing looks, and not much else.
The fourth annual Duke Arts Festival is set to begin this Friday.
V/H/S is a showcase of horror shorts masquerading as a feature-length film.
Local Business lyrics may well manifest in your notebook’s margins.
“It feels like a perfect night to dress up like hipsters and make fun of our exes.”
While I wouldn’t recommend the album to a casual rock fan, anyone with the stomach for harsh metal vocals would be remiss not to listen to this album.
There’s no doubt Main Attrakionz will find a way to bridge where they come from and where they want to go.
Mitchell has said many times that he originally saw Cloud Atlas as unfilmable. I’m inclined to agree.
“A show is a show, and it’s gonna be fun.”
Kendrick doesn’t provide answers on how to live, he provides answers for how he lives.
There’s a famous quip that many music reviewers know: “Writing about music is like dancing about architecture.”
Liberal Arts, at first glance another charming love story, examines difficult topics of sentimentality and the reality of life.
Promoted as a unique combination of theatrical techniques, the play brings the city of Chicago to life using only five puppeteers, videos and an intense soundscape.
If you thought one forest was enough for Duke University, think again.
I turned toward the rows behind me and wondered aloud—with passive-aggressive inflection—why everyone thought these parts were laughable.
‘Allelujah! represents a strong return to what made Godspeed famous—music that traverses several distinct emotions in a single track.
We are all too content to know that another person has the same tastes without wondering how they got there.
I think about electronic dance LPs in the same way I think about baseball lineups.
An uncharacteristically informal quote by Lenin promoting the soft drink—“It’s the Real Thing”—gives the fake-ad the explicitly dissident comedy the artist intended.