RECESS
Editor's Note, 12/6/2012
By Dan Fishman | December 6, 2012“If I feel physically as if the top of my head were taken off, I know that is poetry.”
“If I feel physically as if the top of my head were taken off, I know that is poetry.”
Ang Lee created a visual masterpiece of Life of Pi, a novel long thought to be unadaptable.
Without further ado, the Recess-approved albums of 2012.
At thirty-four-years old, Colin Bedford is one of the greatest chefs in the world.
Entering into the mind of local artist Tom Whiteside is akin to entering into a living repository of cinematic knowledge.
There’s something exciting in the fact that the poet seems to know five hundred words for purgatory.
Marcus Dunstan and Patrick Mellon have paired to create a film that equals, or possibly even surpasses, its predecessor in gratuitous gore and violence.
Even in our post-Glee glutted market for a capella records, Refraction is among the best.
It’s hard to believe Day-Lewis is not Abe in the flesh.
“It’s non-competitive; we’re just eager to play.”
Ceci n’est pas une Editor’s Note.
Piotr Anderszewski is considered one of the most atypical method actors in the classical music business.
Now, though, I finally get where Rihanna is going.
Anna Karenina the movie is a translation, but it speaks the language of cinema fluently.
Silver Linings Playbook is at once a heartwarming romantic comedy and a twisted psychodrama.
“I came out of the theater... and felt that the sense of what the rules were in theater had been completely transformed."
What defines the relationship between a retrospective and an introspective? Prefixes.
Chock-full of moving voiceovers like, “My time as a human was over but I never felt more alive.”
As soon as I swiped in, my impressions of Duke’s new arts collective were dismantled. Student art covered the walls and overflowed on the floor.
If there has ever been a perfect album for a 2 a.m. solo drive to Cookout, Take Me Home is it.