This trilogy has been a journey for listeners and a period of self-reflection for The Weeknd. As he closes off this chapter of his artistic identity, there is no doubt that the “After Hours Til Dawn” trilogy allowed him to fully explore all of the emotions and experiences that come with stardom.
Phantogram continues to refine their blend of electronic rock and dream pop, striking a delicate balance between hypnotic rhythms and emotionally charged lyricism. The album not only reaffirms their place in the alternative music landscape but also expands their sonic palette, making it a rewarding listen for longtime fans and newcomers alike.
On February 3rd, The Daily Show’s Trevor Noah hosted the 67th annual Grammy Awards, the United States’ largest music award show. The night was filled with unique, enjoyable artist performances and surprising wins.
With his genre-defying music, The Weeknd has redefined modern R&B and pop. Known for his unique persona, he continues to push boundaries, cementing his place as one of the most influential artists of his generation. Now, with the upcoming release of “Hurry Up Tomorrow,” he is ready to close off his chapter as The Weeknd.
Most Christmas movies don’t come near groundbreaking cinema, and most Christmas songs won’t receive Grammy recognition. But the nostalgia in their scenes and sounds bring us back to joyous holiday memories of our youth that we can only attempt to recreate in our older years. And “All I Want for Christmas Is You” epitomizes that sentiment — and has for the past 30 years.
Record of the Year and Song of the Year are not the only categories the 2025 Grammy's have a wonderful array of options for. In this article, I'll look at Best New Artist and Album of the Year, giving my thoughts on who should win and who will win.
The main category nominations for the 2025 Grammy's are definite toss-ups but in my opinion, some options stand out more than others. In this article, I look at Record of the Year and Song of the Year, giving my thoughts on who should win and who will win.
In a since-deleted Tumblr post, artist Ethel Cain broadly proclaimed that “we are in an irony epidemic” — meaning there’s a “lack of sincerity in the world these days.” It’s not hard to find examples of what she means.
Chronicle reporter Tyler Walley reflects on the 10th anniversary of Taylor Swift's "1989," looking at its effect on Taylor Swift's career and pop music as a whole.
Adonis Borges reviews Charli xcx's new album "Brat," looking at its political and cultural significance
With “Vultures 1,” it’s hard to tell if Kanye’s power is diminishing.
"HISS" is far more than a diss track. Megan Thee Stallion has a firm grasp on the power of transparency, and she's emerged from her battles stronger than ever.
“In the End” is, to be sure, an album about loss, despair, mourning and the frustration of failing to obtain one’s object of desire. But what is so distinctive about Bain’s production is the playful exuberance with which she broaches the vicissitude of her desire.
Paramore’s long anticipated album was a welcomed and highly anticipated comeback for the band’s fan base of former (and current) angsty teens.
“Let’s Start Here” is Yachty's fifth studio album and as the name implies, it marks the beginning of a new era — one that came out of nowhere.
The year is 2023, and Miley Cyrus is back.
Here at Recess, we take our Spotify Wrapped seriously.
While “Midnights'' does mark Swift’s departure from the indie-adjacent albums that have dominated the last few years of her career, Swift’s trademark lyrics and heart-wrenching bridges remain.
Usually, the biggest compliment you can give a piece of media is that it left you wanting more. “Smithereens” left me wanting more because it didn’t give a lot to begin with.
After a wildly successful summer, it was time for Jepsen’s second studio album.
