RECESS
Editor's Note, 2/12
By Katie Fernelius | February 12, 2015Violence in its revelation can either compel us to act or scare us into submission.
Violence in its revelation can either compel us to act or scare us into submission.
Who should win between these two exceedingly dissimilar and distinctive films?
Re-live the brilliance of the Super Bowl halftime show and then immerse yourself in the latest hits.
With soaring ballads and thick, entrancing beats, Panda Bear shows us how to tune out extraneous distractions and exist thoroughly in the present.
It is practically impossible to convey the specific love one feels for someone else with just words. Instead, we turn to music.
While it falls well short of inspirational, Wallflower is slightly moving as a show of love and nostalgia for the past.
In his production 'Wittgenstein's Hamlet,' Myers gives Shakespeare's Hamlet a philosophical revamp.
Perry’s halftime show was chockfull of spectacle, energy and, above all, fun.
Today I hope to give all of you non-sports lovers a crash course on how to sound intelligent and interested during this upcoming Super Bowl.
Here we are – 2015! We made it! As we move forward into the unknown of this new, exciting year, Recess sat around our crystal ball and summoned forth some predictions for what to expect in 2015.
Burch's Synthesis: The Audio-Visual Connection relates raw ardor, insecurity and hope, all through the lens of one who has grown up with a hearing disability.
Is it predictable? Yes. Does it play into stereotypes? Absolutely. But what did you expect from the trailer?
Plain and simple: if you want a tense military thriller, then this is your film.
For each chef’s novel creation, another chef had concocted something even more esoteric from seemingly disparate regions and cuisines.
With a new franchise hitting theaters literally every other week in 2015, it may be tough to see through into the wild, uncharted territory of original film.
From the streets of Atlanta's hip hop scene to the weird corners of Björk's mind.
There’s no going back now. Let the Oscar games begin.
By focusing on a person's anatomy, the humanity of an individual and the uniqueness of his or her story is often lost.