In case you didn’t know what the lyrics to “Headlines” were, SNL conveniently displayed them for viewers when Drake was the musical guest last weekend.
I didn’t go to Countdown to Craziness, so I wasn’t privy to this information until a moment ago.
I can’t help but wonder how the executives at Universal agreed to greenlight The Thing:
The Haymaker theater company is taking a bite out of Durham’s thriving arts community.
Duke students will have the opportunity to witness a behind-the-scenes view of the world-renowned Paris Opera Ballet through a documentary screening next week.
With their second LP, Days, Real Estate prove they have more to offer than the beach-bum aesthetic they established on their self-titled debut.
If Disney ever makes an indie princess film, Shara Worden should sing lead.
What if Jason just wanted to clean up his camp, or if Deliverance was just based on a comic misunderstanding?
Anthony Gonzalez, a.k.a. M83, has a preternatural ear for the sound of cinema.
Recess’ Michaela Dwyer interviewed Ellison to get a perspective on his unique pairing of law and the arts.
They tossed their books aside, packed only essentials and finished writing their wills.
Hoof ‘n’ Horn is known for immersive shows capable of transporting audiences—to the heart of Egypt in Aida, deep into our fairy-tale fears in Into the Woods or back to the Cold War era in Chess.
Let’s talk for a minute about Occupy Wall Street.
I’m starting to get pretty sick of the things people have been saying about Walter White lately.
Any film featuring boxing robots is bound to elicit some Rock ‘Em Sock ‘Em Robots jokes, but Real Steel is about much more than knocking blocks off.
Alexi Murdoch’s headlining set next Saturday at Reynolds Theater will mark a return to familiar ground for the acoustic troubadour.
One of the earliest words attached to Bjork’s music was “experimental”—a dubious category that includes artists as disparate as John Cage and Frank Zappa.
rightly colored images of Donald Duck, Zorro and Little Lulu and Tubby may not be what students expect to see printed on a wall in Perkins Library, or for that matter, anywhere on Duke’s campus.
For the first time in history, works by three Duke faculty members appeared side-by-side at last weekend’s installment of the New York Film Festival.
