Music Review: Nick Cave and the Bad Seeds
By Adrienne Harreveld | February 21, 2013Nick Cave and the Bad Seeds are not always on top of the music world, but they’re always up to speed.
Nick Cave and the Bad Seeds are not always on top of the music world, but they’re always up to speed.
"It’s just you and a microphone."
"I’ve been shifting across and tasting snippets... Like tiny hor d’oeuvres in this banquet that is art."
"If we are unique in those ways, in this sea of country Americana folk bands, I’m proud to be unique in those ways."
Safe Haven is not even relevant without the unofficial tagline “the new Nicholas Sparks film.”
Light Sensitive: Photographic Works from North Carolina Collections dispels the myth of photographic realism.
"Everybody should be able to have the same opportunities for beauty, passion, community.”
This Valentine's Day, you could sit alone in your room, cautiously avoiding the coconut crèmes in a Russell Stover variety box.
Yannis Philipakkis is a bad-habit, animal-like-you, cowboy with a broken crown.
It’s mind-boggling that such distinctive tracks could be composed of automated instruments all played by one brilliant musician.
Here’s my public service announcement: the creative writing minor is there if you want it.
Today, shorts are the hidden gem of the Oscar season.
In fact, I heard the older man next to me whisper to his friend, “I hope there are no children here.”
“Thanks for balancing the age ratio,” whispered a bald, elderly man as I walked into the Chelsea Theater to see a Sunday matinee of Quartet.
The Miles, a senior distinction project written by and featuring senior Theater Studies Steven Li, centers on finding identities through changing relationships.
Amour tackles the question of how to live the latest stages of life with dignity and with love.
The full scope of m b v’s greatness will only be known as a new generation of fans and incipient artists are exposed to and invigorated by its presence.
Hemingway once mentioned that there is no friend as loyal as a book.
A performance that connects to today’s crowd as much as it did 50 years ago.
Their performance illustrates the growing coalescence of traditional Chinese and Western classical influences.