RECESS | CULTURE
The Sinner, The Sitcom and The Savior
By Adam Schutzman | November 6, 2014A (fictitious) guide to three spectacular new shows.
A (fictitious) guide to three spectacular new shows.
Taylor Swift aspires to be just like us, and we, as her audience, love it.
I suddenly had serious doubts about my post-Duke future.
The company, made up of eight young dancers from the favelas of Rio de Janeiro, brings its performers’ Afro-Brazilian identities to an international stage.
The weekend connects current undergraduates and recent graduates to alumni established in the entertainment and arts industry.
Taylor Swift aspires to be just like us, and we, as her audience, love it.
Birdman is definitely worth watching from beginning to five minutes from the end.
We need to initiate a movement towards bringing back individual involvement in democracy, before voting joins jazz as a relic whose golden age is in the past.
"The band has always been interested in all kinds of synths and sounds but this record seems to be exploring the synth avenue for sure."
This is what Recess is listening to this week.
The overwhelming narrative is that men have mental illness, while women become their mental illness.
Synth music is everywhere--some good and some bad. But which ones are...sinful?
I implore you to step into the heart of darkness and fear.
The exhibit "City Under One Roof" captures the sentiment that human lives and their stories are intertwined within their surrounding space.
With Tough Love, Ware proves how far she’s come and how much further she plans to go.
With 1989, Swift breaks out of her comfort zone and hardly misses a beat.
Javon Singletary does the restaurant business in reverse—he serves memories with a side of delicious food.
#WalrusNo
What do you do with too much time on a Saturday night in Durham?