A trained singer and ballet dancer, the most dynamic character in Billy Elliot the Musical is just under five feet tall—and that’s with the tap shoes.
Music festivals should be completely walkable.
Matt and Kim give us the kind of music that we can’t help but love—the super-happy, hand-clapping, impromptu-dance-party kind
This Halloween weekend at Moogfest 2010, more than 60 of the biggest acts in the genre will pay homage to the man who made it all possible—Robert Moog.
When there is a torrential downpour, most people like to stay indoors. Not Taylor Swift. In her new album Speak Now, Swift welcomes the bad weather, daring us to meet her “in the pouring rain.”
Carrboro is not bright lights. Which is why Ben Carr and Geoff Schilling of Last Year’s Men, sitting on a picnic bench in the glow of a single streetlamp, look so fitting: one of the town’s most...
Fans expecting another glossy album like Only by the Night may be turned off by the unexpected attempts (albeit poor ones) to revitalize this earlier sound.
Seeing as Lil Wayne released I Am Not a Human Being while still in prison, you can almost forgive him for it. Almost.
Sufjan Stevens’ The Age of Adz recalls the debut of Radiohead’s Kid A exactly a decade ago—it is that much of a dramatic stylistic shift and is equally broad in scope as the seminal 2000 release.
What makes this indie band so flawlessly satisfying is their daring consistency over the years, churning out silky smooth sixties pop melodies that are soaked with signature soft vocals.
