Murdoch views return to Duke with ambivalence
By Ross Green | October 13, 2011Alexi Murdoch’s headlining set next Saturday at Reynolds Theater will mark a return to familiar ground for the acoustic troubadour.
Alexi Murdoch’s headlining set next Saturday at Reynolds Theater will mark a return to familiar ground for the acoustic troubadour.
One of the earliest words attached to Bjork’s music was “experimental”—a dubious category that includes artists as disparate as John Cage and Frank Zappa.
On the title track of his most recent EP, An Argument With Myself, Swedish pop songsmith Jens Lekman likens backpackers leaving a hostel to a “tidal wave of vomit,” in between schizophrenic...
With two performances brought to campus by DUU Major Attractions this fall, students can soak up some live stand-up comedy and an indie rock concert without breaking the bank.
16 years ago, Opeth exploded onto the death metal scene with a debut album,
It’s difficult to discuss Girls without mentioning the backstory of frontman Christopher Owens. Raised by a single mother as a member of the extremist cult Children of God, Owens never spent a...
The Smiths are bona fide rock heroes to a certain class of music listener—Morrissey’s wry observations and oblique narratives served as the textbook for a generation of young songwriters better at...
Like a multiracial student, St. Vincent would have trouble checking off her proper category on a SAT test.
When “How Deep Is Your Love?” dropped earlier this summer, you would have been forgiven for prematurely penciling In the Grace of Your Love into the 2011 year-end lists.
You might think, after hearing Circuital’s first track, “Victory Dance,” that My Morning Jacket have returned to the moody psychedelia of their 2005 album Z.
Bon Iver, Bon Iver is a superficially beautiful album.
Lady Gaga’s recent notoriety revolves more around her garish outfits than the merits of her music; this we take for granted.
When it comes to breaking up, the world of indie rock usually responds like the rest of us.
Establishing a consistently pleasing aesthetic treatment of your band’s sound is never easy, especially for LP number seven.
YACHT is an old moniker—one Jona Bechtolt has recorded under since 2002—but the project didn’t take off until 2009.
Merrill Garbus, aka tUnE-yArDs, calls herself “new kind of woman.” She’s not afraid to use alternating caps, sings ambivalently of sex and violence, plays the ukulele and makes a kind of pop that...