Garbage
By Katie Zaborsky | July 2, 2012In the mid-90s, alternative rock experienced a surge of third-wave feminism.
In the mid-90s, alternative rock experienced a surge of third-wave feminism.
I blame the banjo.
Employees at Schoolkids Records in Raleigh are clearing shelf space to make room for new arrivals.
Free Energy will play with Deleted Scenes and Cigarette this Saturday...
The first proper track on Sweet Heart Sweet Light starts in the fast lane and cruises...
Alabama Shakes had made their way into just about every music blog’s pet list long before Boys & Girls debuted on Tuesday.
This weekend, celebrated sitarist Anoushka Shankar brings her ensemble to Duke
I would never have expected Matthew Ward to be a fan of T.S.
Oasis’s Noel and Liam Gallagher should single-handedly discourage any brothers who want to start a band together.
On the Chromatics’ latest release, producer Johnny Jewel crafts a record of cinematic scope and splendor.
Tomorrow at the Coffeehouse, Alex Kotch presents his dissertation.
Nicki Minaj should be ashamed of herself.
Home starts off familiar and comfortable—a bit more charming and enjoyable too, like a college vacation spent at home.
There comes a moment, typically occurring in the first song of a set, when you realize why one band is the headliner and the other is the wannabe.
Justin Townes Earle has about as much grit as Michael Buble.
You have to acknowledge good taste.
March begins the season of music festivals, and this year Durham has one to be excited about.
Chamber pop groups seem to come in bulk these days.
In the 2004 movie Garden State, Natalie Portman’s character Sam declared that a Shins song is capable of changing your life.
Any publication that calls Wrecking Ball a perfect album should have a ball of iron plowed through its headquarters.