Other schools say "Me Too"?
By Julian Spector | February 13, 2014Duke students have been lining up for Me Too Monologues for years, but soon, audiences at other schools might have the chance to do the same.
Duke students have been lining up for Me Too Monologues for years, but soon, audiences at other schools might have the chance to do the same.
It’s not often an album listen will require emotional preparation, but this is Mark Kozelek.
“Real Hair” is refreshingly different from the overdone indie-pop genre that’s taken over the modern music scene.
Mami Nora’s is a great entry-way into a cuisine not often seen in the Triangle area.
Rarely do we see weekends as beautiful—as teeming—as this.
There is a fine line between covering a song and replicating it.
"America Seen" covers a broad chunk of history that would become formative to our current generation of American culture.
Ultimately, the record is a little ungainly and it often feels like Mercer and Danger Mouse are in different worlds.
Lilac Shadows wanted to do something special for the release of their latest record.
This is a dispatch from the other side.
With our taste buds satisfied at the conclusion of Triangle Restaurant Week 2014, our ears are now in for an indulgent treat.
"Maybe she’ll be our undoing."
Listening to “Trouble” reminded me of watching “Girls.”
While many of the band’s key elements are still present from early recordings, the album seems obsessed with style when it should have focused more on substance.
Everything slows down, leaving the first half’s anthemic tone and punching beats behind in favor of gentler melodies and pensive lyrics.
This weekend, Duke Performances will present “Love’s Infrastucture,” a show that combines local indie pop music, intense puppet work and dynamic live video feeds to create an innovative and unique...
The record draws upon influences like Phil Spector and classic Motown to create a pleasing throwback to the 1960s.
What a wonderful album to release during these frigid depths of winter.
The score is sometimes uncertain, sometimes frenzied, sometimes spine-chilling and sometimes glorious.
“Britney Jean” isn't particularly innovative, but it shouldn’t have to be.