The Sinner, The Sitcom and The Savior
By Adam Schutzman | November 6, 2014A (fictitious) guide to three spectacular new shows.
A (fictitious) guide to three spectacular new shows.
Taylor Swift aspires to be just like us, and we, as her audience, love it.
Taylor Swift aspires to be just like us, and we, as her audience, love it.
"The band has always been interested in all kinds of synths and sounds but this record seems to be exploring the synth avenue for sure."
Synth music is everywhere--some good and some bad. But which ones are...sinful?
I implore you to step into the heart of darkness and fear.
With Tough Love, Ware proves how far she’s come and how much further she plans to go.
With 1989, Swift breaks out of her comfort zone and hardly misses a beat.
Javon Singletary does the restaurant business in reverse—he serves memories with a side of delicious food.
#WalrusNo
What do you do with too much time on a Saturday night in Durham?
“Freak Show” capitalizes on the othering of actors and actresses with disabilities in a way that previous shows of Ryan Murphy's have avoided.
This album rips and shreds and jams and thrashes. It demands to be heard.
Superhero faces new foe. Initially is defeated. Comes back to save the day.
Anyone who has frequented Shooters in the past couple months is probably no stranger to “2 On."
Ride Out is a likable and jovial album that functions as a fitting swan song for Seger.
Three different forces of nature from across our great nation will converge at the Pinhook on Wed., Oct. 22 to play some sweetly sublime tunes.
DC has slowly edged its way back onto the map through a different route: the small screen.
Love, in Qawwali music, is the “primary means of expressing God.”
Now, a whole new monster seems to be on the rise: The Prequel.