Is the relationship between Taylor Swift and Travis Kelce a testimony of true love, or is it all a publicity stunt? Before the “Swiftce” romance, most Taylor fans had probably never heard of Travis Kelce. Now, Swifties are hosting Super Bowl watch parties because of him.
The choice by Glazer to make a Holocaust film about the family of one its most infamous orchestrators, rather than its victims, is as much a recognition of his inability to engage with the realities of Auschwitz as the Höss’ escape into their garden and playground pool. “The Zone of Interest” offers itself as a parable of the faults that plague us — a film as much about today as 1943.
"HISS" is far more than a diss track. Megan Thee Stallion has a firm grasp on the power of transparency, and she's emerged from her battles stronger than ever.
The feature film debut of Vietnamese director Pham Thien An, “Inside the Yellow Cocoon Shell” dazzles with mystically beautiful long shots that force the audience into Thien’s condition: the emptiness of craving the transcendent and coming up short... over the course of three hours.
Many students don’t know much about the different a cappella groups housed on our campus — so The Chronicle has prepared a comprehensive guide to a cappella groups at Duke.
The comedy series, which premieres Jan. 11, leans into the original films' characteristic R-rated humor while exploring the nuances of family dynamics.
On Nov. 16, student journalists across the nation were given the chance to interview the directors of the psychological thriller film “EILEEN,” featuring Thomasin McKenzie, Shea Whigham, Marin Ireland, Owen Teague and Anne Hathaway, in a college press roundtable.
“Napoleon,” which stars Joaquin Phoenix in the title role, retains a visceral emotional immediacy even as it covers a broad sweep of history, zooming in and out on the life and times of its subject.
In “This Land Is Inhospitable and So Are We,” Mitski flips her narratives from “Laurel Hell” and thoroughly unfolds her story as well as her identity.
The artificially-intelligent world director Gareth Edwards paints in "The Creator" — of vibrant, sprawling cities side by side with preserved natural beauty and a rural way of life — is one we should not fear but rather aspire to achieve.
In the hybrid documentary, fiction-docu film "Savoy", director Zohar Wagner crafts a humanizing portrait of a complicated relationship built on mutual understanding.
Martin Scorsese's powerful and profoundly empathetic portrayal of Mollie Burkhart and the entire Osage community makes “Killers of the Flower Moon” a triumph.
The 2024 Super Bowl Halftime Show will be Usher's second time on the Super Bowl stage.
Fans across the world are growing more and more excited as the release date for “Scott Pilgrim Takes Off” creeps ever closer. Here’s to 19 years of fame, "Scott Pilgrim!”
The Writers Guild of America's monthslong strike ultimately led to a deal in their favor – but many remain concerned about the future of the film industry.
Modern horror may have the highest ceiling of any genre, bringing an even greater level of entertainment than its classic predecessors. Here's a list of the top 10 greatest modern horror films.
Whatever the reason, horror movies have established themselves as a central part of cinema and pop culture. So in honor of Halloween, we're ranking the top 10 greatest horror classics of all time.
“The Exorcist: Believer” asks interesting questions that it lacks the fortitude to answer.
"Past Lives" is a heartwarming story about love, immigration and the road not taken.
Why was the immediate coverage of this family’s restructuring taken as an opportunity for verbal violence rather than empathy? And why did (or didn’t) the public fall for the PR tricks this time?
