With her sophomore album “Romance,” Camila Cabello has provided a fantastically cohesive, entertaining work that is a thrill from start to finish.
Recess Managing Editor Will Atkinson chooses his five favorite releases of the year.
Coldplay’s first two albums played constantly in my dad’s car when I was a kid.
In January 2018, Migos dropped all 106 minutes of “Culture II.”
To many, the term freestyling immediately inspires a vision of the XXL Freshman yearly cypher, prompting nostalgia of Kodak Black’s trouncing of whoever picked that “lil sorry a** beat.”
Mary Magdalene is one of the first women history robbed.
“Jazz, uh, finds a way,” or so says Jeff Goldblum’s Spotify playlist.
Two bands that had their heyday in the late ’90s and early 2000s both released albums this month.
The rapper’s ninth album combines the “old Kanye”’s flow and style with the “new Kanye”’s more spiritually-oriented lyrics and production.
Petras combines last year’s EP with nine new tracks to form the cohesive, tantalizing 17-track album of your nightmares.
When American rapper Logic burst onto the scene in 2014 with his first studio album “Under Pressure,” I immediately took notice.
Halloween is around the corner, and you don’t have a playlist yet.
Over the last few years, the #MeToo movement has made an evident impact on the film industry, working to root out the most dangerous in this creative realm.
The SWAT van parks and eight burly agents file out in silence.
The deaths of music greats can bring about a serious sense of grief for someone you probably only know about as much as Rolling Stone will divulge.
Earlier this year, Big Thief transported us to the lush mountain greenery of rural Washington.
The Avett Brothers’ new album, “Closer Than Together,” is a musical roller coaster of ups and downs.
Surely a city as prominent as New York would have made a full musical recovery by now and is once again dictating the sounds and styles of the whole game. Right?
As he lounges in his throne room atop Mount Olympus being fed molly-coated grapes, Jordan Carter — the figurehead of Playboi Carti — reflects.
Anti-establishment music has defined Western teenage culture for decades: From rock & roll to punk rock to hip-hop, the voices of youthful rebellion consistently dominate the music industry.
