Fast forward to the present and Red Collar is standing mighty in the local music scene. The band has spent this year making personal sacrifices while supporting their first full-length album,...
Fresh off a European, Bowerbirds are returning to the Triangle to headline this year's Troika Music festival. Phil Moore and Beth Tacular answer questions regarding community, their environment,...
Megafaun, on the verge of a European tour, come into their own as a centerpiece of this year's Troika Music Festival
The whole album is a paean to Sun Belt living cut short by Bush’s second term, Iraq and the faltering economy.
With Troika evolving, so has Birds. The band, started by guitarists and married couple Cheetie Kumar and Paul Siler, formed in 2005 with vocalist Craig Tilley. The group eventually picked up...
Sainthood is yet another offering that showcases the immense talent of Tegan and Sara.
Banhart's seventh album finds the freak-folk artist in a period of transition.
The raddest part of this album is the cover art, and it’s got as much ’tude as Hannah Montana’s latest.
Toro Y Moi's Chaz Bundick is a rising star in the music world with two albums set to be released in 2010. He talks about his music and his current tourmates Jemina Pearl and Islands.
Anticon genre-bender Yoni Wolf defies the odds with all his music. Here, he talks about songwriting, kinship and more.
Logos is an exploration above all else, interesting and impressive enough to get away with the occasional meandering.
The Real Feel only confirms that Kannberg’s grip on the direction of his genre is slipping.
The New Moon sountrack feels just as fake as Kristen Stewart’s acting.
The Hood Internet are playing at Raleigh's Cherry Bounce festival. Steve Reidell, one half of the mash-up duo, dishes on his art.
A lot of the songs, though often beautiful and usually masterfully crafted, don’t pass muster on their own, instead serving as the film’s emotional reinforcement.
Internationally renowned piano virtuoso Murray Perahia, a recent honorary degree recipient from Duke, is coming to Page Auditorium for a one-night only stint with Duke Performances.
The opening track off Embryonic is a relief, if only because it’s nothing like the Flaming Lips’ last album opener, “The Yeah Yeah Yeah Song.”
With Christmas in the Heart, Dylan has achieved the near-impossible: releasing an album devoid of any true sentiment, sure to alienate even his most ardent supporters.
Former Ghosts' Freddy Ruppert talks about his new super group, his old project, the Smell and more as he embarks on a tour, stopping at the Duke Coffeehouse Oct. 9.
“Aisle 13,” the opening track from Built to Spill’s There is No Enemy, grandly reintroduces the Idaho-based band back onto the modern indie rock scene.
