Cass McCombs
By Brian Contratto | November 10, 2011Cass McCombs is a master of dark humor.
Cass McCombs is a master of dark humor.
Florence + The Machine have something to prove, and they won’t be denied.
Welcome to the two sides of Bradford Cox.
Some things enjoyable on their own are more interesting when combined.
As a native Californian I’m ashamed to admit that I’ve never been to Coachella, but I’m willing to wager that Moogfest weighs favorably on a comprehensive quality scale.
Alexi Murdoch’s headlining set next Saturday at Reynolds Theater will mark a return to familiar ground for the acoustic troubadour.
One of the earliest words attached to Bjork’s music was “experimental”—a dubious category that includes artists as disparate as John Cage and Frank Zappa.
On the title track of his most recent EP, An Argument With Myself, Swedish pop songsmith Jens Lekman likens backpackers leaving a hostel to a “tidal wave of vomit,” in between schizophrenic...
With two performances brought to campus by DUU Major Attractions this fall, students can soak up some live stand-up comedy and an indie rock concert without breaking the bank.
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The Smiths are bona fide rock heroes to a certain class of music listener—Morrissey’s wry observations and oblique narratives served as the textbook for a generation of young songwriters better at...
Like a multiracial student, St. Vincent would have trouble checking off her proper category on a SAT test.
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You might think, after hearing Circuital’s first track, “Victory Dance,” that My Morning Jacket have returned to the moody psychedelia of their 2005 album Z.
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Establishing a consistently pleasing aesthetic treatment of your band’s sound is never easy, especially for LP number seven.