Music Review: YOKOKIMTHURSTON
By Adrienne Harreveld | September 27, 2012I hate to be a slave to traditional structure, but I think if YOKOKIMTHURSTON lent itself to some melodies, they could have created something fantastic.
I hate to be a slave to traditional structure, but I think if YOKOKIMTHURSTON lent itself to some melodies, they could have created something fantastic.
With the right mood and some patience, you can be truly moved.
Whereas Veckatimest was bold, grand and majestic, Shields is too complacent.
It seems like the members of Dinosaur Jr. have finally learned what most second-graders master—how to get along with each other.
It’s not often that a university can bring in an established group like The Bad Plus to work with its graduate students.
If Kanye had ever been interested in art for art’s sake, he’s not now.
Annie Clark, a.k.a. St. Vincent, describes herself as “the place where poetry goes to die.”
The newly released Coffeehouse lineup for fall 2012 has both Triangle musicians and Duke students jittery with enthusiasm.
Coexist stands out because of the nuanced relationship between the two vocalists.
Dylan will always be here, donning a bemused expression and his Panama hat.
If anyone knows how to get over a breakup, it’s Jens Lekman.
At Hopscotch, Matthew E. White will present “the biggest production that [the festival] has ever done.”
Recess Editors weigh in on their most anticipated acts of the weekend.
Overall the musicianship of Corea and Burton is absolutely superb.
To say that Chan Marshall has been through some rough stuff would be an understatement.
There’s something vintage about Centipede Hz
The Duke Symphony Orchestra is breaking with tradition this year.
Swans can be pigeonholed into any of dozens of different genres.
This season Duke Performances has scheduled two of the biggest names in gospel music.
A Thing Called Divine Fits breathes fresh air into Merge’s indie rock lineup.