RECESS | CULTURE | MUSIC
Best Music of 2012
By Suvam Neupane , Dan Fishman , Adrienne Harreveld and Katie Zaborsky | December 6, 2012Without further ado, the Recess-approved albums of 2012.
Without further ado, the Recess-approved albums of 2012.
There’s something exciting in the fact that the poet seems to know five hundred words for purgatory.
Even in our post-Glee glutted market for a capella records, Refraction is among the best.
“It’s non-competitive; we’re just eager to play.”
Piotr Anderszewski is considered one of the most atypical method actors in the classical music business.
Now, though, I finally get where Rihanna is going.
If there has ever been a perfect album for a 2 a.m. solo drive to Cookout, Take Me Home is it.
While Lux will not come to define Eno’s catalogue or represent a pinnacle in his career, it is a trip that only he can deliver.
"You hear pitches you recognize but they’ve been completely warped and it’s hilarious."
“Béla’s influence is revolutionary.”
When I imagine Neil Young in my mind’s eye, the picture I see is from a YouTube video of “Old Man” from 1971.
Local Business lyrics may well manifest in your notebook’s margins.
“It feels like a perfect night to dress up like hipsters and make fun of our exes.”
While I wouldn’t recommend the album to a casual rock fan, anyone with the stomach for harsh metal vocals would be remiss not to listen to this album.
There’s no doubt Main Attrakionz will find a way to bridge where they come from and where they want to go.
“A show is a show, and it’s gonna be fun.”
Kendrick doesn’t provide answers on how to live, he provides answers for how he lives.
‘Allelujah! represents a strong return to what made Godspeed famous—music that traverses several distinct emotions in a single track.
I think about electronic dance LPs in the same way I think about baseball lineups.
It’s great that artists like Tom Waits, John Cale and even Thurston Moore are embracing the creativity of this generation on not just resting on their laurels of past success.