Filmmaker Zeina Durra returned to Sundance this year with her newest film “Luxor,” starring actors Andrea Risenbourgh and Karim Saleh.
Once considered one of the most esteemed and coveted prizes a filmmaker could win, the Academy Award’s luster has since dulled under the corrosive influence of time and progress.
“1917” has taken the awards circuit by storm with its technologically innovative and visually striking approach to the war film genre.
Adam Sandler is notorious for starring in bad films.
Louisa May Alcott’s “Little Women” is a beloved Hollywood mainstay, and it has been adapted into film for nearly as long as the medium has existed.
If the Internet hasn’t defined your idea of “Boomers” yet, allow artists of the generation to do it for you.
Writer-director Rian Johnson breathes life back into the “whodunit” with “Knives Out.”
“Frozen 2” opens with a song about everything staying the same.
Many have attempted to articulate the essence of what makes a cult film a cult film.
Divorced from visuals and performances, Robert Eggers’s screenplays read like landmark pieces of American theater still studied and performed for their enduring relevance.
If the Palme d’Or and 99% Rotten Tomatoes rating didn't tip you off already, Bong Joon-ho’s “Parasite” is a masterpiece.
It’s the perfect time to reflect on the thrilling, bloody and witty zombie horror-comedy that is “Shaun of the Dead.”
With the recent resounding flop of “Gemini Man,” another movie boasting impressive technical achievements fails to make much of an impact on moviegoers.
In a perfect world, “Breaking Bad” would be on television forever.
The film-length revival of the hit TV series capitalizes upon what audiences know and love about the show while taking minimal risks to bring something moderately new to the table.
It’s that time of the year again: the red carpets are being rolled out and the celebrities are being suited up.
It’s summer in Shanghai and the hot air clings to my skin as I say goodbye to my grandmother from the taxicab parked in front of her apartment building.
Twenty-seven years after the terrifying events of “It” (2017), the Losers Club returns to Derry for a final showdown with Pennywise (Bill Skarsgard) in the recently-released “It Chapter Two.” The film features incredible performances, a phenomenal character driven story and stunning set pieces and special effects — but it’s just not that scary.
This summer’s Disney domination appears to only be the beginning of a perilous drop into media homogeneity precipitated by the massive company’s preoccupation with keeping its products family-friendly and inoffensive.
