Kelsey Graywill's 'Makings of a Mind' finishes run in Brown Gallery
By Ashley Kwon | March 21, 2018On March 12, senior Kelsey Graywill’s visual art showcase “Makings of a Mind” at Louise Jones Brown Gallery concluded its exhibition.
On March 12, senior Kelsey Graywill’s visual art showcase “Makings of a Mind” at Louise Jones Brown Gallery concluded its exhibition.
Partnering with other on-campus groups, including DukeArts and DEMAN, Kip Frey, director of the Duke Innovation & Entrepreneurship Initiative, launched the StudioDuke program this year.
Last year, Sophia Santillan, assistant professor in the practice in the department of Mechanical Engineering and Materials Science, saw an NBC News clip about Repair Café. Now, she’s working with the North Carolina chapter to bring Repair Café to Duke.
The first time I attended a poetry reading was last Thursday at Brody Theater on East Campus.
Two weeks ago, presidential portraits of the Obamas were unveiled at the National Portrait Gallery.
Roger Beebe, who received his Ph.D. in Literature at Duke in 2000, came back to campus last Wednesday to present four of his multi-projector films at the Bryan Center’s Griffith Film Theater.
If you got on a bus with only one other person on board, would you sit down next to them? Probably not, right?
When sophomore Lucas Tishler hears music, he says he can see the notes in front of him.
Last Wednesday, Cole Heathcott, a student at the Fuqua School of Business, released a music video for one of the songs in his new album, “American Love,” which will be released on Mar. 1.
Monday night, amid the #MeToo and Time’s Up movements, women from all sectors of Duke came together for Believe Her, a discussion on gender violence on campus.
On the last day of each month, Duke plays host to a few more tents — but not in K-Ville.
Artist Dario Robleto visited the Nasher Museum of Art Feb. 1 to present his lecture, “A Dream, As Faithful As a Flame.”
“Good Country People” is the furthest thing from a pleasant read. Flannery O’Connor’s 1955 short story has few truly likable characters and ends on a sour, dismal note that leaves the reader discontented.
At the finale of the film “Akounak Tedalat Taha Tazoughai,” set in the Nigerien city of Agadez, musician and protagonist Mdou Moctar takes up his guitar and deftly immerses the viewer in his world.
Music audible from a block away, free coffee and the presence of a large fox were all sure signs that something special was happening at the Rubenstein Arts Center.
Most Friday and Saturday nights, the Griffith Film Theater fills with students eager to watch a new movie.
This campus is full of stories. Everyone is walking around with one – sad, happy, funny, scary, angry, contemplative.
On a snowy evening in 2015, Jason Oppliger went to the Carpentry Shop, just down the street from Smith Warehouse.
Classic Broadway shows are difficult to modernize. A vast majority of the shows that took twentieth-century stages are cut from the same humdrum, homogeneous cloth, offering little diversity in any sense of the word.
Last Sunday, American Dance Festival held the biannual Movies by Movers Film Festival at the Nasher Museum of Art.