Confidently sauntering on stage, each with a unique jumpsuit and head full of hair, the members of Habibi gracefully transformed the Pinhook into a blend of cultural identities and diverse backgrounds Thursday night.
In his lone season in a Duke uniform, Marvin Bagley III had some of the best single-season statistics in Duke history, scoring the most points ever by a freshman at the time and posting the first-ever 30-point, 20-rebound game in the Coach K era. But it turns out those aren’t the only records he’s dropping.
Member of Forbes 30 under 30 and Out 100, Jacob Tobia, T’14, is a writer and producer, known for their work as the creator and producer of MSNBC’s “Queer 2.0” and as producer of “Transparent.” They recently wrote the book “Sissy: A Coming of Gender Story,” a memoir that questions societal binaries in gender.
"Midnight Family" follows the Ochoa family, who runs a private ambulance company in Mexico City. Nine million people reside there, but less than 45 government ambulances are running, according to the film.
As the projected number one draft pick, Zion Williamson’s head may be in the game, but his heart’s in the song.
Drone shots. Even with dried-out lakes and stagnant rivers that weakly glisten in the greedy sun, South Africa’s landscape is still beautiful with its rocky mountains and plateaus with swirling patterns.
Four presidential campaigns in, Selena Meyer is as power hungry and cutthroat as ever. The same cast of bumbling staffers surrounds her campaign, which predictably struggles from the outset with launch problems, airport mishaps and more.
“Santuario” follows Juana Luz Tobar Ortega as she lives in sanctuary at St. Barnabas Episcopal Church in Greensboro. In April of 2017, Immigration Customs and Enforcement (ICE) told Ortega she had to leave within 30 days, so she entered sanctuary instead.
There is a moment of utter depravity in the fifth of six vignettes that comprise Natal’ya Vorozhbit’s play “Bad Roads,” a scene so chillingly vile that it is legitimately difficult to watch.
The Chronicle spoke with the film critic and PhD candidate in the Romance Studies department about his current projects and the mechanics of film criticism.
Nearly 16 years ago, OutKast released “Hey Ya!,” a single that stands as one of the biggest hits of the new millennium. For all its ubiquity today, though, “Hey Ya!” was deceptively revolutionary: Blending an acoustic guitar-driven hook with a funk bassline, rapped breakdowns and an atypical time signature, the song seemed to signal a new dawn for genre — or, rather, the lack thereof.
The 2014 film “What We Do in the Shadows” brought needed fresh energy to the vampire genre through its mockumentary set-up and brilliant deadpan humor. It never received a wide U.S. release, and its legacy is that of a cult classic: a film with a small but devoted following.
Which spot makes the best food at Duke? That’s a question the “Duke Dining Challenge,” a March Madness-style bracket on the popular Facebook group “Duke Memes for Gothicc Teens,” tried to answer.
Duke established the two-year MFA | EDA program in 2011, drawing in a diverse range of photographers, videographers and other artists. The program's annual thesis exhibition, celebrating the work of the 2019 class, is on display now from March 18 to April 13 around Duke and Durham.
Rapper and producer J. Cole grew up in Fayetteville and released his first mixtape in 2007. Now, he’s returning home for the first-ever Dreamville Festival.
Students often come to know their professors over the course of a semester-long class, where instructors serve more as mentors and advisors than writers, researchers or filmmakers.
So, this is my last editor's note ever. I've reported for The Chronicle since the first month of my freshman year, and have thought about what I'd write in this specific piece since then. During the last few years, I'd occasionally wonder: What infinite wisdom will I be able to impart in my last words as a graduating senior?
Vienna-based visual artists Markus Hanakam and Roswitha Schuller recently visited Duke to work with the Building Duke Bass Connections project and to present some of their own work.
Connoisseurs of fine art and fine dining rejoice.
I’m fat. When I was younger, I preferred to use descriptors that minimized my body like chubby or curvy or plus-sized, but now I’m 20 years old, five-foot-ten and weigh over 250 pounds. My fatness is undeniable.
