In recent years, the world of ballet has been increasingly scrutinized for its inaccessibility and lack of diversity, but Les Ballets Trockadero de Monte Carlo has been keeping the art on its toes since the 1970s.
On “The Slow Rush,” Kevin Parker’s fourth album as Tame Impala, he faces the idea of eternity head-on.
When I was a young girl, I hated Aphrodite.
On Feb. 10, at the Bernie Sanders rally in New Hampshire, The Strokes announced the upcoming (April 10, to be exact) arrival of their newest album, “The New Abnormal.”
Benedict Cumberbatch seems to be steadily making his way through the 20th century.
“The Painter and the Thief” follows the shocking meeting and budding friendship between an artist and the thief who stole her paintings.
The language of “optimization,” of constantly bettering ourselves as if we exist on a linear spectrum of quality, is, like Goop’s very existence, embedded in capitalism.
It’s not easy being a new artist. Finding an audience and dedicated listening base requires a whole lot of networking and positive word of mouth.
Durham’s Hayti Heritage Film Festival is one of the nation’s longest-running Black film festivals. This year, the lineup includes the breakout work of Duke alumna Sade Abiodun, Trinity ‘18.
In a 2005 commercial, my mother turns to the camera and beams, “My child wants to be an artist.”
On this album, the band reveals how musical innovation means both crossing genre lines and transcending time and regional boundaries.
The Oscars are still very white and very male, but they feel bad about it, apparently.
About a minute into “Jojo Rabbit,” the film’s 10-year-old protagonist has a conversation with his imaginary friend — Adolf Hilter.
Drew and Ellie Holcomb will be performing at the Carolina Theatre Tuesday, Feb. 25 at 8 p.m.
Aneil Karia made his Sundance Film Festival debut with “Surge,” a psychological thriller that stars Ben Whishaw as Joseph, a troubled young man who lives an isolated life in London as an airport security officer.
Filmmaker Zeina Durra returned to Sundance this year with her newest film “Luxor,” starring actors Andrea Risenbourgh and Karim Saleh.
Now that rap has overtaken rock as the most profitable genre, it is reasonable to view hip-hop as its own economy.
You could call GOVERNANCE. a band, a performance art duo or a “speculative cyber-performance and bio-memetic product design agency,” as its website brands itself.
There’s plenty of brilliance to be found in the Triangle’s local arts scene, but Bright Black Candles and Bougie Luminaries contribute more literally than most.
As a kid, I absolutely loved the NBA. The league had the biggest and brightest basketball stars in the world, and being the six-year-old dreamer I was, I wanted to be just like them
