After the departure of guitarist-songwriter Ben Moody in 2003, many doubted Evanescence could duplicate the multi-platinum success of their previous album, Fallen. Though their newest, The Open Door, isn't a departure from their trademark harshness, improved production and a heavier tone set the album apart from their previous, more mainstream works.
While their sound is refreshing, the harder chords tend to drown out lead singer Amy Lee's angelic voice. The album's first single, "Call Me When You're Sober," with its bitter lyrics, could've been an extra track off Fallen, though it lacks the commercial appeal of "Bring Me To Life." The band shines when it lays off the distortion: orchestral-tinged "Snow White Queen," and piano ballad "Good Enough," which showcases Lee's vocal ability, are the album's best tracks. Despite Moody's absence, the band's new release shows signs of maturity while still capturing the signature style that launched Evanescence into the spotlight three years ago.
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